Traffic cone
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Foldable Cone 50 CM with Two Reflective Sheets and Red Color Warning Light
Foldable Cone 70 CM with Two Reflective Sheets and Red Color Warning Light
PVC Traffic Cone – 70cm with Black Base
PVC Traffic Cone – 90cm Height
PVC Traffic Cone 32CM 1 Reflective
Traffic Cone 100cm 5 KG with Reflective Sheet
Traffic Cone 50 MM for Safety | Unbreakable Full Soft PVC Reflective Traffic Cone
Traffic Cone 70 MM for Safety | Unbreakable Full Soft PVC Reflective Traffic Cone
Traffic Cone 75 x 40CM PPC with PE Base – Red
Traffic Cone 750 MM | Unbreakable Full Soft PVC Reflective Safety Cone
Traffic Safety Cone 50CM – Blue
Traffic Safety Cone 50CM – Green
Traffic Safety Cone 50CM – Red
Traffic Safety Cone 50CM – Yellow
Traffic Safety Cone with Reflective Collar & PE Base 75CM – Blue
Traffic Safety Cone with Reflective Collar & PE Base 75CM – Green
Traffic Safety Cone with Reflective Collar & PE Base 75CM – Red
Traffic Safety Cone with Reflective Collar & PE Base 75CM – Yellow
Unbreakable Safety Traffic Cone 620 MM with Cat-Eyes Lenses
Unbreakable Safety Traffic Cone 620 MM with Cat-Eyes Lenses
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.